Showing posts with label cobalt decorations. Show all posts
Showing posts with label cobalt decorations. Show all posts

Tuesday, June 10, 2014

On the Farm- Stoneware Sherd!

What could be more exciting than receiving a text from the farmer telling me that he found the neck and handle section of a jug while planting sweet potatoes?! Above is the marred remains of said jug section, but boy, was I excited! Do you see what I see?
Unglazed interior of the jug

First, we'll get out of the way that it is stoneware. It is also salt-glazed. The interior is not glazed which generally tells me that it pre-dates 1850, since that is when it starts to become more common to see pots glazed on the interior.
Marbling in the broken section showing the possibility of rolled clay
The handle is particularly awesome for many reasons. One, is that the end of the handle where it broke has this beautiful marbled texture that almost looks like the wedge of clay was rolled before being attached to the bottle and pulled for a handle. Does that make sense? The potter took a hunk of clay, rolled it into a fat snake-shape, then attached it to the neck of the jug, and pulled the shape of the handle. I don't know that this is for sure how it happened, but it makes sense to me and visually seems to match my theory.
The handle is also quite thick, roughly 1 1/4- 1 1/2 inches across at the top, which makes me wonder how large the jug was that needed such a thick handle!
Can you spot the cobalt blob at the upper part of the handle?

Cobalt blob circled

Another reason is that it has a blob of cobalt on the upper part of the handle where it joins the vessel. This tells me that it is probably not English, as I don't know that I have seen an English jug with a blob of cobalt at the handle juncture.

And then we come to perhaps the most tantalizing part of this piece- the evidence of kiln furniture! Can you make out the subtle chance in surface color and texture to the right of the handle remain in the photo above?


That subtle change in surface color and texture tells me that it is a touch mark, most likely where a piece of kiln furniture touched the top of the handle. Not just any piece of kiln furniture, mind you, but a bar!
Combined with the very dry surface of the rim, the touch mark and dry rim tell me that a bar was used to stack this jug in the kiln when it was fired. Check out a blog post I did a few years ago on this topic to get an idea of what the kiln furniture looked like. I'm not coming to the conclusion that this piece was made in Fayetteville (per the linked blog post), but I don't recall seeing stacked jugs like this much in Virginia (off the top of my head, maybe in Alexandria), and am not sure about Tennessee. The neck doesn't match the pieces from Fayetteville, either, so we'll toss that thought until we (hopefully) find more pieces!

We had a great turn out for the Carolina Farm Stewardship Association's Triad Farm Tour last Saturday and Sunday. This coming Sunday is our own farm open house and pottery sale. Lots of new pots, seconds, and older pieces at deep discounts!

Friday, February 21, 2014

Kiln Loading

This whole week has been pretty much swallowed up by kiln loading and various errands. On Monday, we worked on the greenhouse at the farm and got the raised beds finished. Here's a photo of the raised beds in construction:

I've been posting photos on Facebook as I went along with the kiln loading, but I thought I would share some thoughts with the photos and about the process since I just finished yesterday.

Do any of you fine readers remember the game Tetris? I would liken loading a kiln to the game Tetris in which you have different shaped blocks that fall and you have to rotate them in order to fit into the blocks below them. Luckily, in loading the kiln, the blocks don't implode or disappear when you fit them together, but I sometimes wonder if I would go insane if I listened to this theme music all day:



First, the pots had to make it to the farm. We're working on building a barn to get my studio and a workshop out there, but for now, I move the pots from my house to the farm like this:


In other words, I move them VERY CAREFULLY because they're thin, raw clay pots! I've been pretty good about taking photos this week at every level of the loading. Sometimes it is hard for me to remember to snap a photo before throwing another shelf on top (which I did in a few instances), but this will give you the general idea of how it works.

The first couple of rows seem to be the hardest for me. Not only do I have to try and fill as many spaces as possible, but these shelves tend to hold my smaller items, so there are more to deal with! Dishes take up a lot of room. The rims are deceptively wide and they need some tending to in order to get them in the right position. I've been trying to be better about making things like the smaller dishes in the photo below to fit below larger dishes in order to maximize filling the spaces. 

 A few more rows:

 I shifted my front shelves around for this firing and decided to put this stack of flowerpots there in front of the firebox. My theory is that this layout may provide for more airflow and make the kiln more evenly fired. We'll see!
 Kiln halfway loaded and here is what I have left:
 First row on the front stack:
 I purposefully made the first two levels of this stack very tall in order to encourage some air flow. Typically this front left corner is pretty cool in temperature, which is also why I put the flowerpots in the corners.
 Sneaking in a few more dishes:
 I had to take the lid off of the compost crock at the front and put it on top of the stack of dishes in the back left. Otherwise, it could have touched the ceiling, which would not have been a good thing. Top part of the final stack:
 This is the final view of the stacks before I put the bricks up in that opening, making a solid wall across the front.
 And here is what was left at the very end:

I will do a gas preheat overnight on Saturday to keep the pots from freezing since it will be cold and to give us a leg-up on the firing. The preheat puts the kiln at around 200 degrees Fahrenheit on Sunday morning and ready to roll. I do what is called single firing, which means that the pots are raw when they are loaded into the kiln (no bisque firing). When we were not doing a preheat, the firing took 17-18 hours, and now with the preheat it takes about 16 hours total. Because I salt the kiln I had to build it out of hard brick, and a double layer of hard brick is a lot of thermal mass to heat up! 

Saturday, October 26, 2013

Fall Pottery Photos

Decorated vases
I've been bad about taking photographs of my pottery in the last couple of months, so I put aside some photo-studio time!
Tankards
The firings this late summer/fall have turned out some really lovely pots.
Decorated mugs
Large handled bowl
After one year of firing with this kiln I am starting to better understand where I get the best results with certain decorations and surfaces in my kiln. I'm not getting too comfortable, mind you, that would likely not be a good idea and result in disasters!
Small dishes

Wine cups

 One more kiln firing to go! If you have any holiday requests, get them to me ASAP as I will likely not be doing a December firing!
Vases